Clients
I've had the pleasure of working with many fine production companies. Here are the cool projects we made together.
Milo
The hit TV show featuring Camille D’Hondt included the occasional VFX shot—like a near car accident or a digitally added storm in some establishing shots. But for the most part, the characters spent a lot of time texting each other.
But not all texting graphics are equal. For this show, we decided to go all in. The messages appeared on translucent, holographic screens that floated in space—fully tracked and integrated into the scene. Could we have gotten away with something simpler? Absolutely. But why not go all out?
Bumba
Beloved children’s program Bumba got an update in 2021. As a magician, Bumba can make objects float or shapeshift. I won’t reveal his secrets—but let’s just say I might have had something to do with it.
Chasing Beauty
My briefing for the opening titles of Chasing Beauty Season 3 was simple: “Make us a Netflix intro. You know the kind.” Slow-motion close-ups, cinematic simulations, shallow depth of field. So that’s exactly what I delivered.
Huisgemaakt
De openingstitels van Huisgemaakt seizoen 4 combineren steadycam- en dronebeelden, die naadloos in elkaar overvloeien met speelse overgangen van de ene locatie naar de andere.
BunQer
I’ve worked on countless projects with BunQer—whether it’s VFX or animation. Collaborating with their team is always a pleasure. We’ve known each other for so long, it only takes half a word to get on the same page.
One project I’d like to highlight is this beautiful explainer motion graphic.
Creative against the far right
An animated fly, a launched nuke, and the Antwerp cathedral getting blown up—that’s the kind of briefing I can get behind. Docwerkers wanted to illustrate what might happen if the far right won the 2024 federal election, with a comedic twist—and I was happy to help bring that vision to life.
Belgian Diversity Charter
In this fun project, I had the creative freedom to design quirky characters and develop an entire visual style. Since the videos focus on diversity, we made sure to craft characters that represent it authentically, without relying on stereotypes.
Eindejaars 2
This comedy show by Bert Gabriëls, Johnny Trash, and Jeroen Verdick also featured several sketches to break up the pace—that’s where I came in. Back in 2020, these were also my first steps into using the primitive AI tools available at the time.
Monster Mashers
This escape room featured ghosts! To visualize the translucent characters, we chose to project animated figures onto a scrim. Unfortunately, I can’t share the result, as it would spoil the ending.
Astrid en Natalia back to reality
Let’s end on a fun one. Bad TV shows still need good visuals. I created the entire title package for this infamous show. The takeaway here is that, even if I don’t personally believe in a project, I’ll always give it the benefit of the doubt and do my best to make it look beautiful.
